Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens Self Portrait with a Hat oil painting


Self Portrait with a Hat
between 1623(1623) and 1625(1625) Medium oil on panel cyf
Painting ID::  97622
Peter Paul Rubens
Self Portrait with a Hat
between 1623(1623) and 1625(1625) Medium oil on panel cyf
   
   
     

Peter Paul Rubens Study Heads of an Old Man oil painting


Study Heads of an Old Man
1612, Dayton Art Institute cyf
Painting ID::  97655
Peter Paul Rubens
Study Heads of an Old Man
1612, Dayton Art Institute cyf
   
   
     

Peter Paul Rubens The Destiny of Marie de Medici oil painting


The Destiny of Marie de Medici
Oil on canvas. Louvre, Paris, France. Date 1621-1625 cyf
Painting ID::  97871
Peter Paul Rubens
The Destiny of Marie de Medici
Oil on canvas. Louvre, Paris, France. Date 1621-1625 cyf
   
   
     

Peter Paul Rubens The Lamentation oil painting


The Lamentation
1614(1614) Medium oil on panel cyf
Painting ID::  97961
Peter Paul Rubens
The Lamentation
1614(1614) Medium oil on panel cyf
   
   
     

Peter Paul Rubens The Holy Family with St Elizabeth oil painting


The Holy Family with St Elizabeth
between 1614(1614) and 1615(1615) Medium oil on panel cyf
Painting ID::  98314
Peter Paul Rubens
The Holy Family with St Elizabeth
between 1614(1614) and 1615(1615) Medium oil on panel cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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